Past Exhibitions SLU

Browse the chronological list of past exhibitions at the Saint 直播自慰视频 University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥� for more information about an exhibition. If you need further information about an exhibition, please contact us.

Name

Utopia Body Paint Collection and Australian Aboriginal Art from St. 直播自慰视频 Collections

Dates

April 4, 1997 to July 31, 1997

Description

A vigorous cultural revival is evident today throughout Aboriginal communities in Australia. Artists at Utopia -- a tract of Aboriginal freehold land in the central desert of Australia -- have produced some of the most vital, exuberant, and distinctive imagery of the contemporary Aboriginal art movement. Led initially by the women, contemporary art practice at Utopia began via the medium of batik in the late 1970s. A gradual revival of the traditional cycles of cultural renewal along with the advent of acrylic painting in other parts of the desert resulted in a flowering of works by Utopia artists in the late 1980s.

Utopia is the name given to the tribal lands of the Anmatyerre and Alyewarreye people. Situated 180 miles north of Alice Springs, in the very center of Australia, it is a desert land -- yet it has nourished its people and their traditional art for thousands of years. Australian tribal aborigines have survived because of their intimate kinship, knowledge and reverence for their land and for its creators, their ancestors who moved across the land and formed it in the dawn of time, known to them as The Dreaming. For the aborigine every aspect of the land is filled with the meaning and significance it had at creation: the ancestors who formed the land are still present within it.

Each individual is entrusted with his or her own particular Dreaming鈥攊t may be an animal, a piece of vegetation, a rocky outcrop or other natural feature鈥攁nd charged with responsibility for the land and its proper management. Part of that responsibility is discharged in ritual ceremonies of song and dance. Women play a prominent role in these ceremonies, decorating and painting their bodies with images of their own Dreaming to draw the connection between ceremony and land even more tightly. Utopia artists also might make their paintings on the ground, using the natural colors of the sand and the earth.

In 1990 Rodney Gooch, a visionary arts advisor, initiated a community-wide project. The Utopia communities were invited to transfer their body marking to oval-shaped canvas supports which evoke objects familiar to the artists, such as the shield, the dancing board and the churinga (a sacred object of stone or wood on which one's Dreaming is incised or painted). This collection of 77 canvases鈥攖he Utopia Body Paint Collection鈥攄emonstrates the extraordinary adaptability of contemporary aboriginal artists to transfer ancient traditions of image making to new media without losing the power of the images or compromising their ritual significance. Over the past 15 years the artists of Utopia, in common with other tribal peoples of central Australia, have been introduced to a variety of new media from acrylic paint and canvas, to batik, wood block printing and carving. MOCRA is pleased to present these works in St. 直播自慰视频, a city which has enthusiastically embraced the art of contemporary Australia.

Artists in the exhibition include:

MOCRA thanks the Ladue Investment Partnership, Inc., of St. 直播自慰视频, MO, for making the Utopia Body Paint Collection available for exhibition. MOCRA is grateful also for the generous loans of art to this exhibition from other St. 直播自慰视频 collections. Acknowledgment is made to Nina Felshin, Independent Curator, New York, for tour coordination for the Collection.

Special acknowledgment is made to Mary Reid Brunstrom, Director, Austral Galllery鈥揂ustralian Contemporary Art, St. 直播自慰视频, MO. This exhibition was generously assisted by the Embassy of Australia, Washington, D.C.

above:
Installation view of Utopia Body Paint Collection and Australian Aboriginal Art from St. 直播自慰视频 Collections at MOCRA, 1997. Photo by Jeffrey Vaughn.

Related programming

Creativity as Ancestral Mind: Living with the Ancestors

Jennifer Biddle: 鈥淏ody, Country, Canvas: Meaning and Identity in Central Desert Aboriginal Women鈥檚 Art鈥�

Related MOCRA Voices episodes

Episode 8: Mary Reid Brunstrom

Media

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Sanctuaries: Recovering the Holy in Contemporary Art, Part One February 14, 1993 to April 11, 1993 MOCRA鈥檚 two-part inaugural exhibition features more than 100 works from an wide-ranging roster of artists working in styles ranging from traditional Western figuration to minimalist and geometric abstraction. The artists, generally in their 30s, 40s, and 50s, tend to be disillusioned with the c...
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Georges Rouault: Miserere et Guerre March 8, 2011 to July 31, 2011 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 2, 2003 to May 11, 2003 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre January 18, 2000 to April 2, 2000 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 21, 1994 to April 26, 1994 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Visible Conservation September 22, 2017 to April 8, 2018 In 2016 MOCRA acquired Michael Tracy's powerful 1981 work Cruz to Bishop Oscar Romero, Martyr of El Salvador. With Visible Conservation, we gave visitors a rare behind-the-scenes glimpse of the process of documenting and cleaning the work prior to its reassembly and first presentation at MOCRA. ...
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Highlights from the MOCRA Collection May 30, 2015 to August 2, 2015 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Romare Bearden, Dawoud Bey, Maria Magdalena Campos-Pons, Junko Chodos, Doug DePice, Luis Gonz谩lez Palma, DoDo Jin Ming, Dean Kessman, Frank LaPena, Daniel Ramirez, and Susan S...
Highlights from the MOCRA Collection: The Romero Cross April 21, 2018 to July 28, 2018 Seven months of conservation work culminate in the first public showing at MOCRA of Cruz to Bishop Oscar Romero, Martyr of El Salvador, a major mixed media sculpture by Michael Tracy (b. 1943), who first achieved international recognition in the 1980s, exhibiting in the 1982 Venice Biennal...
Highlights from the MOCRA Collection March 28, 2006 to July 30, 2006 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Seyed Alavi, Luis Gonz谩lez Palma, Steven Heilmer, Anne Minich, Shahzia Sikander, Kazuaki Tanahashi, and other artists. above: Sr. Helen David Brancato, Crucif...
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Quiet Isn't Always Peace February 03, 2021 to May 20, 2021 People everywhere were captivated as Amanda Gorman delivered her poem The Hill We Climb on the steps of the Capitol on Inauguration Day. Her cascading cadences of imagery alluded to orators of the past but unequivocally asserted her own voice in addressing the present moment. A short phrase from...
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This Road Is the Heart Opening: Selections from the MOCRA Collection August 24, 2022 to December 18, 2022 The COVID-19 pandemic has illuminated harmful systemic inequities and our responsibility to name and respond to them. Simultaneously, we are recognizing the importance of attending to our own well-being in mind, body, and spirit, a holistic vision of human wellness that Ignatian spirituality refe...
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